Irish blood
We
all know that our dear friend Count
Dracula may have been a Transylvanian, but it was an Irish man who introduced
him to the world; Mr. Bram Stoker. What
often puzzles people for a while is how did a middle class civil servant/theatre
manager from Dublin happen to create not only one of the most famous characters
in literature but also a whole genre. On the face of it, this seems like a
strange starting point for such a literary legend. However, you only have to
peel away the surface layers of history to begin to understand why.
To
have written such an undertaking you would need a certain amount of motivation
and appreciation for the subject. Growing up in Dublin, Stoker had the
benefit of learning from the best, as it
were. The Wilde family (surgeon father, nationalist mother and witty son etc.)
were family friends and young Bram grew up listening to the famous story
telling of Jane Wilde. She would have
filled the young Bram’s head with the myths and legends of Ireland.
We
also have to remember that, although Stoker is often credited with giving us
the modern Gothic vampire novel, he was not the first. An earlier work by fellow Dublin-man Sheridan
Le Fanu entitled Carmilla was published 25 years before hand. We’’ take a look
at the work further down, much of what
we recognise from Dracula may have been inspired by this work the central
European castle, the doctor, the lonely hero etc.
Although
there is much written regarding Irish ghost stories, they usually involve just
that, ghosts, or a people such as faerie folk or other such, but there are a few
vampire legends, the most famous being that of
An Dearg Due – The Red
Bloodsucker, not as famous today as Count Vlad today, but certainly a much older
legend, still lingering today.
An Dearg Due
An
Dearg Due or “The Red bloodsucker” tells the story of a female daemon that
seduces male victims and drains their blood in the process. The story of this daemon is a familiar one.
The story is set about the early 12th century. Alive she was a woman of famed beauty with red
lips and pale blonde hair known the length and breadth of the country. Men
travelled from all over the country to seek her hand in marriage. It was said
that the beauty in her heart out-shined her legendary beauty As was her wont she fell in love with a local
peasant he was by all accounts a good match for her; strong and generous according to those who
knew him . The problem was he was of too low a station and did not meet with
the approval of her father. She was
forced in to an arranged marriage with another an older far richer but much
more cruel man, and with any good legend of its type, she was mistreated. In
this case she sadly committed suicide. Legend has it that she was buried near Strongbow’s
tree in Waterford. The tree is long gone, either way she would have been buried
in un-consecrated ground. Not lying at rest, she would have her revenge and so
she did, rising to revenge her suffering on her husband and father, sucking the
blood from them. Legend now has it that she rises once per year to continue her
vengeance. Even today rocks are still placed over graves in various parts of
the country, to stop her rising.
As we mentioned despite her father’s intentions to marry her well,
she fell for the peasant we mentioned above, by the accounts of the legend this
man was a good and decent person with one major failing, no land or money,
without these there would be no secure future and so any such match built on
these grounds would not be permitted.
Her father did find her a husband though, and older wealthy man of
land and means, the family would be financially safe. Married off, and now
secure, her family did not concern themselves with her wellbeing, they were more
concerned with their. This is said because of the daily hell and torture
she suffered at the hands of her husband
All of this to secure a name and a fortune for the family. While
the Father relaxed in his newly acquired riches, he gave not a thought to his
poor daughter. She daily suffered terrible mental and physical abuse at the
hands of her new “husband.” His particular pleasure was found in drawing blood
from her…watching as the deep crimson welled up on her soft skin. When she was
not being abused, she was kept locked away in a tower cell, so that only her
husband could see her…touch her…bleed her. And she waited, in vain, for
the day that her former love, the
peasant, would somehow rescue her. That hope kept her alive for many
months.
Finally one day, she realized there was no hope. The months of
abuse were too much. No one would come for her. So she saved herself, the only
way she knew how. She committed suicide, some say she hung herself.. It was a
slow, and no doubt painful, death. She is buried in a small churchyard, near
“Strongbow’s Tree,” in the County of Waterford, Southeast Ireland. Her human
spirit broken and suffering twisted her into the daemon she was to become after
death, before finally dying she renounced God and vowed vengeance on those who
made her suffer. She was a suicide, so for the faithful she, her soul could
never rest.
Tradition, even before this event was to place a pile of stones on
the graves of the dead to prevent them from rising, but the legend tells us, for whatever reason, there were no stones
placed on the grave that first night. Some say it was out of pity, they just
wanted to let her rest in peace without restriction, she had suffered enough,
was it guilt that stopped them, everybody knew the kind of man she was married
to, everybody knew her suffering, all ignored it or just turned a blind-eye.
They say, the only person to mourn her death was her peasant lover,
and that he prayed at her graveside
every day for a year, praying for her to return. However her nature may have been when she was
alive; one year later one the first anniversary
of her death, she arose, her nature now
far different from what it used to be. With the blood still in her veins
wanting more, she arose as the Dearg Due, the Red-Blood Drinker.
Full of revenge in her cold heart, her first victims were those
who made her suffer most, when they found him, her father had been drained of
all blood, his face a vision of horror and terror, they say his heart stopped
even before his blood had been drained, his daughter returned as evil and malevolent
now as she had been kind and loving in
life. Before the night was out her husband, who had not wasted time in seeking
the affections of another, was also dispatched to the afterlife. The fresh blood woke a taste in her for more
blood and as the years went on and her loneliness grows, she rises now and steals blood from children, from the innocent,
and especially from young men. Calling them with a haunting siren song that
invades their sleep, she lures them out into the night with her…tempting them
to follow her, to her grave. Punishing them, as she was punished. Keeping
them with her, as she herself was kept. Those who go missing, those taken
mysteriously ill, those children who die inexplicably, are all attributed to
the cursed, wandering, and insatiable Dearg-Due.
Legend has it that she was buried under Stronbow’s tree in
Waterford, no one knows where this tree stood, there are a couple of graveyards
in the area which are likely to have been near any burial site and close to “Stongbow’s
Tower” or Reginald’s Tower as it is correctly called. Saint Michael’s church
was believed to be associated with the legend. Some say Strongbow was buried
there and not in Saint Patrick’s cathedral where his tomb rests.
It is said that the Dearg-Due rises from her grave to seduce her victims and lure them
to their deaths, draining them. Like many of her kind, she lured her victims to
her, much like a succubus, but visiting not in the dreams of her victims.
Depending on the version of the legend you are introduced to, some say she
rises every new moon to feed while others say it is a couple of times per year,
or on special occaisions like her birthday and the day she died. It is said
that the only way to kill her is to pile stones on her grave. Some say she can
change for to a bat, other say to a rat.
Leacht Abhartach
Next to the
Dreag-due, there is also the legend of Abhartach. In the hills of Derry in
Glenullin, the homeland of the O’Kane
clan, members of the O’Neil sept Their Chieftain had the honour of inauguration
of the Chief of the O’Neill clan (by tossing a shoe over the new Sept Chieftain’s
head in acceptance of his rule). The story
revolves around Cathrain (The O'Kane) , the Chieftain at the time, and Leath Abhartach, Avile
and evil creature who some said was an evil dwarf, while others described his
as apowerful wizard and by many others as a vampire (an all-round nice-guy then!).
all agreed he was a nasty piece of work.
There is a village
called Slaghtaverty (previously called “laghtaverty” which would have
translated as (The monument of the [abhartach] or dwarf). The dwarf in question
was a magician. A person known for his nasty behaviour and cruelty to people.
His evil continued until a neighbouring Chieftain finally killed him. He was
buried standing in his grave. It was thought that was the end of him, but no.
The next day after he was killed he appeared back again at his home places, now
more cruel and evil than ever and demanding of those alive that they feed him
with bowls of blood. The O’Kane chieftain once again killed him and buried him
again as before. This was no different, once again he rose from his grave
spreading fear throughout the country.
Looking to finally
put an end to the scourge The O’Kane went to the hermitages of the area seeking
out advise, he finally met with the most noted of the druids who was in
Gortnamoyagh forest. People say the
Druid was actually one of the first Christian monks in the area. The area where
he lived is still today known as “Churchtown”.There is still also evidence of
old structures and living areas in the ruins of Gortnamoyagh.
The Druid informed him that the monster was
dearg-dililat, a drinker of human blood but more dangerously he was a
neamh-mhairbh. One of the undead, who kept himself “alive” by drinking the
blood of humans. To defeat the
dearg-dililat, you can only restrain or trap him but not kill him., The O’Kane
would have to pierce his heart him with a sword made of yew wood and then buried with his head downward
and then covered in thorn bushes and ashes. A heavy stone must then be placed
on top of the graver to cap it; if not the vampire dwarf would be free to walk
the nights and feed at will.
The O’Kane did as he
was told and went to find the evil creature, whatever it was. In the struggle
that followed the neamh-mhairbh was trapped and stabbed through the heart as
needed. With that he was buried as told, and a great stone monument placed
above it. The monument is gone now, but the cap stone is still in place.
Alongside the stone is a tree which grew from those first thorns and ashes
placed on the grave.
Today in the area
around Glenullin in Derry, the grave still lies, itself growing in infamy and notoriety
as the years go on. The local people consider the grave site to be “bad-ground”
with it causing much unhappiness to owners and others over the years. In the
late 1990’s there was an attempt to clear the land but according to local
reports, this could not happen. When they attempted to cut down the tree
standing guard it is said that a fully functioning chainsaw broke down multiple
times and when they tried to lift the great cap-stone the chain snapped.
Local legend speaks
of a fortune buried with the creature, but strangely enough nobody has been
willing to dig for it.
An Du'n
Dreach-Fhoula
The Irish word dreach-fhoula (pronounced dracula) means bad
or tainted blood. The expression is believed to refer to blood feuds between
people or families. However, there is an earlier legend associated with it.
There is a site which is called Dún Dreach-Fhoula
A former Registrar of the National Folklore Commission (Seán
O’Sullaebhán)
during a talk in 1961 mentioned Dún Dreach-fhoula (pronounced (Droc’ola),
the Fort of the Bad Blood or The Fort of Blood Visage. The fort supposedly
guarded the pass through the Magillycuddy Reeks in Kerry which was inhabited by blood-drinking fairies. It
was said to guard a lonely pass but travellers in the region had to beware lest
they become the prey of the dearg-diulai, the blood drinking faeries.
Despite the provenance
of the speaker, searches for the Dún in the recent years have shown-up no
remains of a fort or other such clues. It is suggested that the legend of this
castle may have been an inspiration for Dracula, coming from Dreach-fhoula, bad
blood.
Carmilla
Gothic vampire novels were not new when Stoker wrote his, he
is simply the best known. In 1819 John Polidori, an English man of Italian
descent wrote the short story The Vampyre, inspired by his time with Lord
Byron, he was Byron’s personal physician and travelled Europe with him on his
grand tour. The culmination of this was the famous night in the house by Lake
Geneva with Mary Wollstonecraft Godwin, Percy Bysshe Shelley who would marry
Mary, and Claire Clairmont. Dismissed by
Byron, he travelled some more and then on his return to England published his
short story the Vampyre, which was mistakenly ascribed to Byron by many in the
early years.
There were various other works continuing the gothic style
of story, one which stood out and which is comparable to Dracula is Carmilla.
Written by Sheridan Le Fanu who lived
from 1814 to 1873 who wrote gothic and mystery novels. His works stand by themselves and not just in
Stoker’s shadow. His best known are Uncle Silas, Carmilla and The House by the Churchyard.
The Sheridan connection was to the famous theatrical Sheridan family (Richard
Brinsely Sheridan was his uncle). His father was an Anglican clergyman and
ensured Sheridan had a conservative almost home-schooled education. Married in
1844, the marriage ended in tragedy when his wife Susanna died in 1858.
His earliest selection of short stories are what became
known as “The Purcell Papers” from 1838/1840 which are supposedly the written
records of an 18th century catholic priest. In the main they were
set in Ireland and include a lot of the horror elements we insist on today;
gothic horror, gloomy castles, apparitions and madness.
His most famous work however is Carmilla. It tells of the
family of an English army officer who having been in military service in
Austria bought a small schloss for himself and his daughter. The story is from
the view of young Laura. The schloss is only reached through thick forest and
after passing a deserted village and
ruined fortress. Speaking of her life, she recalls a strange dream she had when she
was only six.
The family hears of the death of a friends daughter and a
little while later meet Carmilla who arrives with them by coach following an
accident. She stays with the family, her mother must continue away on a mission,
the details of which she did not share. Carmilla
stays with them and while once talking Laura tells of the dream she had as a
child. Surprisingly Carmilla also had a similar dream and can remember meeting
Laura, she looked exactly as she does now. In the dream Carmilla bit Laura. Laura
later writes how she feels “drawn
towards” Carmilla. However they talk and about what ever, the topic of Carmilla’s
background is never discussed, she is strident in asserting her origins and
intentions must remain a mystery. As they get to know each other a caller to
the castle selling trinkets as protection from evil which is reportedly killing young girls in the nearby villages. About this
time also, Laura mentions she had another dream, one where again Carmilla bites
Laura.
The dreams continue
in different forms including one where she is told to “beware of the assassin”
and Carmilla appears covered in blood. Each morning after these dreams where
her ghostly lover appears also, she awakes tired and drained each morning. Laura speaks of the 2intoxicating, hypnotic
charms played and sung to her. Out of the dream a deep relationship develops
between both young women. As time goes on Laura’s health deteriorates while
Carmilla seems to have taken to the castle as her health improves with each
day.
The doctor prescribes a cure, but one which must not be told
to Laura. As part of this cure Laura and her father set out for Karnstein
castle a ruin. While travelling there they meet The General, a friend of Laura’s
father. The General is the man who recently lost his daughter. He recalls how
both he and her daughter were persuaded to take in a stranger, her name was
Millarca. As the friendship between the General’s niece and Millarca developed,
Millarca bloomed as his niece faded. The General agrees to accompany them on
their journey.
On reaching the ruins they meet a woodcutter who tells them
that the village once thrived but became infested with vampires and was
destroyed. He was able to direct the
visitors to the Karnstein family plot in the neglected graveyard, here the visitors
found generations of Karnsteins, but could not find the grave of Millarca
Countess Karnstein. The wood cutter leaves and the General finishes his story
of how his daughter died. He discovered Millarca drawing the last blood from his niece, he
tried to kill Millarca but she escaped, he is now hunting her. Just as he
finishes his story The Countess appears in the graveyatrd in the form of
Carmilla. The general immediately tries to destroy her, but she easily deals
with him. Just as this battle is lost to
her, a new figure joins the fight; Baron Vordenburg, the noted enemy of
vampires.
Together they manage to keep Laura safe during the night and
the next morning following the previous appearance of Carmilla, they find her
tomb. When they open her coffin there were no signs of decay from the 150 years
she had been in the coffin. Another sight greeted them, within the lead-lined
coffin the body of the countess lies immersed in seven inches of blood. They
drive a stake through her heart, behead her, burn her body and throw the ashes
on flowing water.
Comparisons and conclusions
It does not take long to draw the comparisons between both great
vampire novels, based in central Europe, involving people out of their home
place, mysterious attacks on our heroes, the doctor (Hesselius and Van Helsing)
and even names being used; Carfax for Karnstein, Renfield for Reinfeldt. The
stories evolve the corruption of power to the individual want and desire.
Although we may not be as familiar with Carmilla as with Dracula, she still has
her place in popular culture;
Hammer Horror’s The Vampire Lovers (1970) is one end of the
spectrum while the very dodgy comedy Lesbian Vampire Killers (2009) is firmly
at the other end. There is also a new
movie in the works, Styria, to be
released in 2014.
She also appears on TV, you might remember Hotel Carmilla
(the one in season 2, when they visit Dallas) in True Blood.
Through-out Europe, especially around the Balkans vampire
legends have been long established and in some places in modern Romania, they
still persist. Over the years graves have been unearthed showing the deceased
with large stones in their mouths or their head decapitated from the body and
turned round 180 degrees to prevent reanimation. Vampire folklore became
popular in Europe around the sixteenth century. There have also been occasional
findings of such in Ireland, but not to the same extent as in Europe. Recently
an archaeological dig near Kilteasheen on the banks of Lock Key carried out a
study of graves containing 137 skeletons believed to be from the period between
700 and 1400 AD. Among these were two deviant burials, both from the 700’s but
both separate from the other. One of the men was likely between 40 and 60 while
the other was around 20-30. Both were laid side by side and both had a stone
about the size of a tennis ball in their mouths. It is likely that the stones
in their mouths was to stop them from coming back from their graves. The stones
in the mouth are believed to stop them eating through their shrouds and
spreading their infection.
These Walking tended to have been outsiders from society when
they were alive. Both men would have
been seen as a potential danger in death as in life. The surviving people would
fear any grudges or issues which would attract the dead back. If a soul was to
reanimate a body, it was felt it would enter the body through the mouth, so
blocking the mouth would prevent the soul re-entering.
As the researchers point out, these burials predate similar
burials in Eastern Europe by about 500 years. Another aspect worth recording is
that, although both bodies were buried at different time, they were both buried
in the same area and in the same manner, suggesting a specific forethought in
both cases.
Other examples of these burials have been found through-out
the country and wider Europe but usually are much later in time.
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